Quote of Troels Andersen (1985), in Asger Jorn, Silkeborg Kunstmuseum, (translated from Danish by Peter Shiled) pp. 25-31
“

One method [of Jorn] was to work with accidental shapes, and this was to become a lifelong preoccupation. But in the beginning the techniques of Surrealism were put to good use: Collage, frottage, color sprayed on paper with an airbrush or floated on the surface of a bowl of water and lifted off on paper. Another way to break the link between line and plane was by what Arp called the "square-eyed" method or alternately, with Dali, putting one drawing on top of another, using transparent paper. Jorn had availed himself of all these methods and experiments by 1940.

— Troels Andersen

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "One method [of Jorn] was to work with accidental shapes, and this was to become a lifelong preoccupation. But in the beginning the techniques of Surrealism were put to good use: Collage, frottage, color sprayed on paper with an airbrush or floated on the surface of a bowl of water and lifted off on paper. Another way to break the link between line and plane was by what Arp called the "square-eyed" method or alternately, with Dali, putting one drawing on top of another, using transparent paper. Jorn had availed himself of all these methods and experiments by 1940." in the context of "Quote of Troels Andersen (1985), in Asger Jorn, Silkeborg Kunstmuseum, (translated from Danish by Peter Shiled) pp. 25-31" to mean that wisdom is timeless.

Source: Wikiquote: "Asger Jorn" (Quotes about Asger Jorn: sorted chronologically, after date of the quotes about Asger Jorn) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
Asger Jorn

About Asger Jorn

Asger Oluf Jorn (March 3, 1914 – May 1, 1973) was born in Vejrum, in the northwest corner of Jutland, Denmark and baptized Asger Oluf Jørgensen. In 1946 he changed his name into Asger Oluf Jorn. He was a founding member of the COBRA-group and later of the Situationist International; he was a prolific artist, active organizer and essayist. He felt himself strongly connected to Nordic myths, as well as to modern times.