The comparison with Reginald Rose is more than a passing snub, for it actually makes reference to an enduring affinity between Miller and the sturdy, footling craftsmen of "liberal" telly. Stripped of its tricks, and with the soliloquies cut, and so on, After the Fall shrinks to its proper proportion, as a sequence of sketches for The Defenders and The Eleventh Hour.

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "The comparison with Reginald Rose is more than a passing snub, for it actually makes reference to an enduring affinity between Miller and the sturdy, footling craftsmen of "liberal" telly. Stripped of its tricks, and with the soliloquies cut, and so on, After the Fall shrinks to its proper proportion, as a sequence of sketches for The Defenders and The Eleventh Hour." in the context of "Jonathan Miller "Broken Blossoms", The New York Review of Books (March 5, 1964)
• The premiere production of After the Fall at Repertory Theater of The Lincoln Center was directed by Elia Kazan." to mean that wisdom is timeless.