Frank Harris, My Life and Loves (1925)
“

It was Dolmetsch, the Belgian [sic] musician, who first taught me what a great musician Sullivan really was; till then I knew nothing of him except as a writer of the comic operas; but Dolmetsch taught me the splendor of 'The Golden Legend' and the beauty of some of his songs, such as 'Oh Mistress Mine' and 'Orpheus with His Lute'. Dolmetsch explained many musical problems to me. Of course, everyone knows that he was the first to make the harpsichord and clavichord as in the earlier days, but to hear him play Bach on the instrument that Bach had written his music for was an unforgettable experience: it was like hearing a great sonnet of Shakespeare perfectly recited for the first time.

— Frank Harris

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "It was Dolmetsch, the Belgian [sic] musician, who first taught me what a great musician Sullivan really was; till then I knew nothing of him except as a writer of the comic operas; but Dolmetsch taught me the splendor of 'The Golden Legend' and the beauty of some of his songs, such as 'Oh Mistress Mine' and 'Orpheus with His Lute'. Dolmetsch explained many musical problems to me. Of course, everyone knows that he was the first to make the harpsichord and clavichord as in the earlier days, but to hear him play Bach on the instrument that Bach had written his music for was an unforgettable experience: it was like hearing a great sonnet of Shakespeare perfectly recited for the first time." in the context of "Frank Harris, My Life and Loves (1925)" to mean that wisdom is timeless.

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Source: Wikiquote: "Arnold Dolmetsch" (About) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 19, 2026). https://gemini.google.com/app
Arnold Dolmetsch

About Arnold Dolmetsch

Eugène Arnold Dolmetsch (24 February 1858 – 28 February 1940), was a French-born musician and instrument maker who spent much of his working life in England and established an instrument-making workshop in Haslemere, Surrey. He was a leading figure in the 20th-century revival of interest in early music.