Ramanujan 1990: 44-47). in Malhotra, R., & Infinity Foundation (Princeton, N.J.). (2018). Being different: An Indian challenge to western universalism.
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Cultures may be said to have overall tendencies to idealize, and think in terms of, either the context-free or the context-sensitive kind of rules. Actual behavior may be more complex, though the rules they think with are a crucial factor in guiding the behavior. In cultures like India's, the context-sensitive kind of rule is the preferred formulation.

— A. K. Ramanujan

What It Means

This is a placeholder explanation generated by the low-overhead model. It interprets "Cultures may be said to have overall tendencies to idealize, and think in terms of, either the context-free or the context-sensitive kind of rules. Actual behavior may be more complex, though the rules they think with are a crucial factor in guiding the behavior. In cultures like India's, the context-sensitive kind of rule is the preferred formulation." in the context of "Ramanujan 1990: 44-47). in Malhotra, R., & Infinity Foundation (Princeton, N.J.). (2018). Being different: An Indian challenge to western universalism." to mean that wisdom is timeless.

Source: Wikiquote: "A. K. Ramanujan" (Quotes) The 'What it means' explanation text was generated by Google Gemini Flash (accessed January 18, 2026). https://gemini.google.com/app
A. K. Ramanujan

About A. K. Ramanujan

Attipate Krishnaswami Ramanujan (16 March 1929 – 13 July 1993) was an Indian poet and scholar of Indian literature who wrote in both English and Kannada. Ramanujan was a poet, scholar, professor, philologist, folklorist, translator, and playwright. His academic research ranged across five languages: English, Kannada, Tamil, Telugu, and Sanskrit. He published works on both classical and modern variants of this literature and argued strongly for giving local, non-standard dialects their due. Though he wrote widely and in a number of genres, Ramanujan's poems are remembered as enigmatic works of startling originality, sophistication and moving artistry. He was awarded the Sahitya Akademi Award posthumously in 1999 for The Collected Poems.