Buddha in a Traffic Jam Quotes
2014 films, Indian films, Political drama films
Top Quotes
“The Tashkent Files”
“Two Indias. One Revolution.”
“The most relevant film of our times... considering what is happening in the country.”
““Gripping, newsy account of a filmmaker's encounter with radicalism in urban India””
“Vivek Agnihotri brings us an untouched issue of the hidden war going on in the country....”
“... thought-provoking. An idealistic drama, it motivates and instigates the audience for a revolution.”
“Wikipedia: Buddha in a Traffic Jam”
“If my husband can be a Maoist, so can your father!... They are spread across all over India so you have to run away Vikram.”
“Internet Movie Database (IMDb): Buddha in a Traffic Jam”
“I can guarantee no other small film in recent times has received so much of appreciation, support and fan following like Buddha in a Traffic Jam.”
“Budda in a Traffic Jam hits hard at the intellectual dishonesty of faculty operating in a system that compromises excellence to promote mediocrity.”
“The first screening of the film at MAMI was attended mostly by film industry colleagues. A lot of them came to check it out as they just couldn’t believe that my film was in MAMI.”
“The attempts to cancel our screenings have reached a figure where now I feel there is a conspiracy behind this pattern. Verbal attacks, ridicule, heckling, resistance, sabotage have been the attractions of this journey.”
“This is when I received an email from the Mumbai Academy of Moving Images (MAMI), India’s number one film festival, then chaired by Shyam Benegal, that Buddha In A Traffic Jam was officially selected in the India Gold category which features five or six best films of the year.”
““Urban Naxals is a daring, if unconventional, analysis at how the far left has captured our educational institutions to produce a generation of brain-washed nihilists to wage war on the masses. Urban Naxals is at once irreverent and introspective, moving and hard-hitting. Urban Naxals will leave you shaken and ask you to join the conversation we, as a nation, ought to be having before it is too late.””
“Urban Naxals drags you into the hard, brutal and fanatical world thriving beneath the dark shadows of liberalism, free speech and tolerance. Vivek Agnihotri brings the art of storytelling and the craft of filmmaking to breathe life into an ugly phenomenon that has been setting a dangerous national agenda. This is a gripping and disturbing book that constricts your conscience and lingers within long after you’ve finished reading it.”
“Just an earthen pot! But a rare piece of India's artistic tribal heritage.... I thought about the responsibility that...that education should bring. I thought about why despite of booming economy....and an industrial growth rate rivaling any other in the world....why are we still a poor country? Why are our villagers, our downtrodden, our rural areas, our tribals....all not getting even a single piece of this growth? And then I realized that this pot, has the potential to change all that.”
“This is the reason why this film has been made. This film doesn’t agree with a certain thought process. Unfortunately, in India, all the literature festivals, film festivals are run by people with a fixed mindset and a fixed narrative, they are not run by people who love the country, their contribution to India’s capital is zero but to India’s chaos is hundred percent. They won’t let this film show there. That’s why we are here. To show you directly, like the film says, “without the middlemen”.”
“‘This is the reason why this film has been made. This film doesn’t agree with a certain thought process. Unfortunately, in India, all the literature festivals, film festivals are run by people with a fixed mindset and a fixed narrative, they are not run by people who love the country, their contribution to India’s capital is zero but to India’s chaos is hundred percent. They won’t let this film show there. That’s why we are here. To show you directly, like the film says, “without the middlemen”.”
“This film has been made out of that anger and frustration. This film speaks of the freedom that India needs in 2016, it speaks of that revolution. Only one revolution has been spoken of in this country, never the other. The other revolution will only come from Indianness, from innovation, from creating capital, from creating wealth, it will come when you will send money to your home. No one can starve and revolt. There are some people who want a section of people to starve, so that the other revolution comes and their political shops keep running.”